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"All About Eve. Funny Face. Sunset Blvd. Rear Window. Sabrina. A Place in the Sun. The Ten Commandments." Scores of iconic films of the last century had one thing in common: costume designer Edith Head (1897-1981). She racked up an unprecedented 35 Oscar nods and 400 film credits over the course of a fifty-year career.Never before has the account of Hollywood's most influential designer been so thoroughly revealed--because never before have the Edith Head Archives of the Academy of Motion Picture Arts and Sciences been tapped. This unprecedented access allows this book to be a one-of-a-kind survey, bringing together a spectacular collection of rare and never-before-seen sketches, costume test shots, behind-the- scenes photos, and ephemera.

Claude Montana played a key role in the fashions of the 1980s and ’90s, and – with fashion’s recent return to harder edges – has again become an inspiration for many contemporary fashion designers. The Montana woman embodied razor-sharp tailoring and strong silhouettes with dramatic proportions and masculine lines, enlivened with an astonishing mix of detail and bold hues. Materials, colours and cut were all vehicles for his genius, and it was the Lanvin period in the early 1990s that marked the absolute high point of his creativity. Claude Montana looks at the principles and practices that underpin the Montana universe, the fundamentals of a unique style and dazzling originality. It records many conversations with Claude Montana himself that help us to understand the forces that have shaped his work, while scores of catwalk images and reproductions of his sketches reveal the energy and singularity of his vision. Scattered throughout these pages are intimate comments, moving testimonies and observations by those who have accompanied the designer – among others, the photographers Dominique Issermann, Tyen and Paolo Roversi, the embroiderer François Lesage, the designer Alain Mikli and the make-up artist Olivier Echaudemaison.

Thea Porter (1927 - 2000) came to epitomize bohemian chic in 1970s London, developing a unique aesthetic that drew on an eclectic mix of luxurious fabrics, signature dresses and Soho laissez-faire. Born in Jerusalem, she began working as an interior designer before setting up shop on London's Greek Street. Over the course of several years, she established her combination of fashion and interior design, cultivating clients such as Pink Floyd and The Beatles, alongside Faye Dunaway, Elizabeth Taylor and Barbara Streisand - as well as working for royal patrons including Princess Margaret and the empress of Iran, Farah Diba. Porter was promoted in New York by Vogue editor-in-chief Diana Vreeland and her clothes were sold in Giorgio Beverly Hills, while at the same time she was a frequent visitor to the Colony Room, London, the drinking club habituated by Lucien Freud, Francis Bacon and George Melly.

Questo è il libro più informativo disponibile per chi ama i bottoni, scritto da un collezionista di seconda generazione che ha viaggiato in tutto il mondo per espandere la sua conoscenza di questo emozionante oggetto da collezione. Il libro presenta oltre 10.000 bottoni di tutti i materiali immaginabili dal 150 d.C. ad oggi a colori e la loro storia e sviluppo in tutto il mondo. I bottoni sono stati la parte in più rapida crescita nel mondo del collezionismo negli ultimi anni; questo libro diventerà sicuramente la "Bibbia" per gli appassionati di bottoni, i commercianti o chiunque ami gli oggetti belli.

This lavisly illustrated book tells the history of Horrockses Fashions, one the most famous postwar British ready-to-wear labels. In the late 1940s and throughout the 1950s, Horrockses’ created designs with a fresh, distinctive look, and were celebrated for their lively floral prints and full-skirted summer dresses, which were popular with women of every background, including the royal family. In addition, they collaborated with contemporary artists such as Eduardo Paolozzi, Alastair Morton, and Graham Sutherland to design textiles. The book includes interviews with many of the people who made, wore, and designed these dresses and reproduces magazine spreads and illustrations from the period.Horrockses maintained an air of exclusivity for the brand with an emphasis on good quality fabrics, especially the finest cotton, with custom-designed patterns and an emphasis on couture styling.  Their fashions are highly collectable today. Horrockses Fashions tells the story of this iconic label and its role in the history of British fashion while also exploring the connections between couture and ready-to-wear fashions in the post-WWII decades.

Jacqueline Groag was probably the most influential textile designer in Britain in the post Second World War era. Although originally Czech, she studied textile and pattern design in Austria in the 1920s. During the late twenties and early thirties she designed textiles for the Wiener Werkstatte in Vienna and subsequently designed and produced unique hand printed lengths of fabrics for many of the leading Parisian fashion houses, including Chanel, Lanvin, Worth, Schiaparelli and Paul Poiret. She was awarded a gold medal for textile design at the Milan Triennale in 1933 and another gold medal for printed textiles at the Paris World Fair in 1937. Jacqueline was not only a serious and highly respected contender in the field of textile and pattern design but, with her husband, the Modernist architect Jacques Groag, was also deeply immersed in the intellectual life of Vienna.In 1938 the sophisticated world of Jacques and Jacqueline was brutally shattered when the Anschluss, the political unification of Austria and Germany, occurred and the German army entered Vienna. Faced with the actuality of the Nazi terror the Groags, who were Jewish, fled to Czechoslovakia and their home city of Prague. After a brief respite they were once more forced to flee in 1939, this time to London. On their arrival in England they were welcomed and championed by leading members of the British design fraternity, amongst whom were Sir Gordon Russell, the doyen of British architects Sir Charles Reilly and Jack Pritchard, founder of the modernist design company, Isokon. Much of the Contemporary style of the textiles and wallpapers shown at the 1951 Festival of Britain were heavily indebted to Jacqueline's influential designs of the 1940s. Many examples of her work were featured prominently at the Festival and from then on she became a major influence on pattern design internationally. She developed a large client group in the United States during the fifties and sixties, amongst whom were Associated American Artists, Hallmark Cards and American Greetings Ohio.In the later 1950s and throughout the 1960s she became increasingly involved with Sir Misha Black and the Design Research Unit (D.R.U.), working on the interiors for boats and planes and trains, particularly the design of textiles and plastic laminates for BOAC and British Rail. One of her last commissions from Misha Black, in the mid-seventies was a distinctive moquette for London Transport, for seating on both buses and tube trains. Her work and influence did not just extend to the large corporations and exclusive couturiers but was familiar to the general public through stores and companies such as John Lewis, Liberty of London, David Whitehead, Edinburgh Weavers, Sandersons, Warerite and Formica. Her remarkable achievement finally received public recognition in 1984 when, at the age of 81, she was made an R.D.I. - a Royal Designer for Industry - the ultimate accolade for any designer in Britain.

Delicate florals, bold stripes, geometric prints and sumptuous brocades – delve into the world of textile pattern design with this showcase of over 500 patterns. Close-up, highly detailed images of both designer creations and everyday items from the 1800s to the 1990s perfectly capture the intricacies of each fabric, while accompanying texts provide fascinating insights into the history and creative process of pattern design.This beautiful and accessible book is a valuable resource for anyone in search of visual inspiration.Table of Contents:Floral(abstract, all-over floral, ditsy, clusters, stripes, Jacobean, nouveau influence, poppies, rendered, roses, silhouette, single colour, stylized, varietal, Victorian spring, warp print)Geometric(black and white graphic, broken line, circle and square, circular, cubist, deconstructed, diamonds, geometric floral, grid, mid-century, ornamental stripe, radiating, whiplash line)Conversational(abstract, Americana, animals, automobiles, birds, cats and dogs, clowns, feathers, figural, folkloric, fruit, great pretenders, hearts, home sweet home, hunt, insects, lace/net, marbleized, mushrooms, objects, patriotic, tapestry, Western)Constructed Pattern(applied, beaded, braid, embroidery, pierced)Brocade(all-over floral, bold, cloqué, metallic, mirror, mod, single colour, stripe, two colour, velvet)Paisley(all-over, brocade, shawl, stripe, mod)

I modelli di Pierre Cardin sono stati indossati da un'élite internazionale di belle donne, da Jackie Kennedy a Lauren Bacall e Jeanne Moreau. Amico intimo di André Courrèges e Paco Rabanne, Cardin ha rivoluzionato la moda moderna a metà degli anni '60, creando modelli iconici che continuano a risuonare ancora oggi. I suoi numerosi talenti e la padronanza dei materiali, dai tessuti alla plastica, si estendevano dall'alta moda al prêt-à-porter, abbigliamento maschile, gioielli, design di mobili, profumi e accessori, mentre il suo senso degli affari lo ha portato a creare un impero commerciale che si estendeva da Cina agli Stati Uniti.

Questo volume che presenta 165 immagini inedite tratte dallo shooting, rende omaggio al profondo rapporto di Lindbergh con la Maison parigina, curando più di 100 fotografie delle creazioni Dior, dall'haute couture al prêt-à-porter, da uomo e da donna, originariamente pubblicate in alcune delle riviste più prestigiose al mondo come Vogue e Harper's Bazaar. 70 anni di storia Dior sullo sfondo di Times Square. Un omaggio a due pilastri della moda e della fotografia e alle loro collaborazioni senza tempo.