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Delicate florals, bold stripes, geometric prints and sumptuous brocades – delve into the world of textile pattern design with this showcase of over 500 patterns. Close-up, highly detailed images of both designer creations and everyday items from the 1800s to the 1990s perfectly capture the intricacies of each fabric, while accompanying texts provide fascinating insights into the history and creative process of pattern design.This beautiful and accessible book is a valuable resource for anyone in search of visual inspiration.Table of Contents:Floral(abstract, all-over floral, ditsy, clusters, stripes, Jacobean, nouveau influence, poppies, rendered, roses, silhouette, single colour, stylized, varietal, Victorian spring, warp print)Geometric(black and white graphic, broken line, circle and square, circular, cubist, deconstructed, diamonds, geometric floral, grid, mid-century, ornamental stripe, radiating, whiplash line)Conversational(abstract, Americana, animals, automobiles, birds, cats and dogs, clowns, feathers, figural, folkloric, fruit, great pretenders, hearts, home sweet home, hunt, insects, lace/net, marbleized, mushrooms, objects, patriotic, tapestry, Western)Constructed Pattern(applied, beaded, braid, embroidery, pierced)Brocade(all-over floral, bold, cloqué, metallic, mirror, mod, single colour, stripe, two colour, velvet)Paisley(all-over, brocade, shawl, stripe, mod)

The fantastic creative energy of the 1960s took off with a burst of black and white: La Dolce Vita by Federico Fellini. An instant cult film, it became a great classic of modernity and continues to affect generation after generation, legendary yet always contemporary. Dolce Vita Style draws on the history that inspired the film in the theatrical Rome of the 50's and sums up the innumerable influences that this cult film has had on so many of those in the worlds of movies, popular music, society, life, and fashion. Image by image, this book retraces the astonishing itinerary of a work that is a supreme emblem and a source of inexhaustible style.

Celia Birtwell is one of Britain's best-known, best-loved designers. She is an iconic figure on the global arts scene. This lavish, multi-layered book - the first to be published on Celia - delves into her work and eventful life. The book conjures up all the personal warmth and visual intricacy of a family scrapbook: it features intimate photographs of Celia, her family and friends from her own albums and archive, her drawings, her charmingly idiosyncratic, fashion sketches and a multitude of examples of her fashion and home fabrics. Her bohemian lifestyle in the 60s and 70s, which saw her hanging out with such colourful personalities as Manolo Blahnik, the Beatles, Mick and Bianca Jagger and Paloma Picasso, is brought to life through stylish photographs from the time. Her ongoing relationship with Hockney both as friend and muse, is illustrated by his personal photographs, drawings and paintings of her, including the sketches that led to Mr & Mrs Clark and Percy, recently voted one of the nation's favourite paintings. Celia's renaissance in the Noughties has seen two sell-out collections of frocks for TopShop as well as a plethora of her prints on a wide variety of items.

Dames is portrait photography at its most incisive and fun. In Eric Boman's book, a 'Dame' is a woman of attitude and conviction, style and flair, leavened with steely determination. For Dames, Boman has photographed over 100 women, all of whom have made an enduring impression in their respective fields of fashion, society, arts, politics and entertainment. A text by Vanity Fair special correspondent Bob Colacello accompanies Eric Boman's glittering photographs.

Legendary designer and artist Vera Neumann (1907–1993) believed in art’s ability to inspire and enrich lives. An innovator and one of the most successful female entrepreneurs of her time, Vera built her company on a radical philosophy: fine art should be accessible to everyone, not just a select few. Known for her iconic images of cheerful flowers, trendy geometrics, and vibrant ladybugs, she believed people should surround themselves with beauty. For the first time, Vera: The Art and Life of an Icon, tells her inspiring story through the art and designs she created. In this volume, richly illustrated with Vera’s original sketches, paintings, and photographs of her worldwide travels, readers are introduced to the amazing woman behind the dynamic designs that continue to inspire and influence art, design, and fashion.

In 1962, world-class photographer Douglas Kirkland spent three weeks with the most important fashion icon of all time, Coco Chanel. Over the course of this stay, Kirkland photographed Coco with her friends, on the runway, and in the privacy of her homes. Kirkland reveals these never-before-seen photographs in all their vibrancy, shedding new light on one of the world's most enduring, multi-faceted, and bestselling fashion legends of all time.

The definitive book on the legendary photographer's life in New York City, with many never-before-seen images and reminiscences by his closest friends and confidants.   From the 1930s, when he helped revolutionize fashion journalism, through the 1960s, when he launched headlong into the Pop art era, London-based photographer Cecil Beaton brought to New York City his own perspective--aristocratic, sexually ambiguous, and theatrical. At the same time, New York offered Beaton innumerable opportunities to reinvent himself and his career.Cecil Beaton: The New York Years features sketches, costumes, set designs, previously unpublished letters, and over 220 photographs and drawings, many in color and never seen before. This volume documents Beaton's most influential relationships with quintessential figures of the New York art scene, including Greta Garbo, his female confidant and muse, and Andy Warhol. Richly illustrated, Cecil Beaton is the definitive portfolio chronicling Beaton's stunning career in fashion, portraiture, and the performing arts.Beaton in Vogue: Beaton's photography for Condé Nast's Vogue in the 1930s hastened the decline of fashion illustration in favor of today's emphasis on photography. Beaton himself became a celebrity photographer, as famous as his subjects, in the later mold of Richard Avedon and Annie Leibovitz.Beaton and the Stage: After World War II, Beaton appeared on the New York stage as an actor, and he also designed sets and costumes for such musicals as My Fair Lady and Coco and operas Vanessa and La Traviata, both at the Metropolitan Opera. Beaton on New York: Beaton produced many illustrated books on New York City and his tell-all diaries detailed his life among the city's best-known figures. Beaton was also commissioned to produce innumerable photographs of New Yorkers, from Truman Capote to Tom Wolfe.Beaton on Garbo: Greta Garbo was Beaton's closest female friend  She was also his muse, and his photographs captured her in many different scenarios and moods from the mid-1940s, when she ended her Hollywood career and permanently moved to New York.Beaton on Warhol: In 1968, Beaton was advised to photograph a group of young New Yorkers, the most famous of which was Andy Warhol and his Factory. In effect, this photo shoot charted the passing of the torch from Beaton to Warhol, two figures who defined their era's concepts of popular culture, celebrity, and sexual mores.

This fascinating publication presents the roles two men have played in turning a small workshop in nineteenth-century Paris into one of the most successful and recognized brands in the world. Known for both craftsmanship and must-have high design, Louis Vuitton the luxury house was started by its eponymous founder in 1854. The first half of this publication traces the innovations by Vuitton, who turned the little-known guild profession of emballeur (packer) into the foremost luxury trunk maker in Paris, with a clientele that included in his lifetime the French nobility as well as the elite of a prosperous empire. Prime and never-before-seen examples of Vuitton’s craftsmanship, along with the fashion that went into them, are the highlights of these chapters. The second half of the book examines the role of Marc Jacobs as Louis Vuitton’s creative director (since 1997), who took the Louis Vuitton house into a new era with a series of collaborations with artists and designers—such as Takashi Murakami, Richard Prince, and Stephen Sprouse—as well as designing a line of highly successful and desired clothing for the company. By examining two divergent but often similar careers one hundred years apart, Louis Vuitton / Marc Jacobs is not only a layered study of the evolution of a luxury brand in the past 150 years but also a celebration of technical and design innovations in the new century.

Jacqueline Groag was probably the most influential textile designer in Britain in the post Second World War era. Although originally Czech, she studied textile and pattern design in Austria in the 1920s. During the late twenties and early thirties she designed textiles for the Wiener Werkstatte in Vienna and subsequently designed and produced unique hand printed lengths of fabrics for many of the leading Parisian fashion houses, including Chanel, Lanvin, Worth, Schiaparelli and Paul Poiret. She was awarded a gold medal for textile design at the Milan Triennale in 1933 and another gold medal for printed textiles at the Paris World Fair in 1937. Jacqueline was not only a serious and highly respected contender in the field of textile and pattern design but, with her husband, the Modernist architect Jacques Groag, was also deeply immersed in the intellectual life of Vienna.In 1938 the sophisticated world of Jacques and Jacqueline was brutally shattered when the Anschluss, the political unification of Austria and Germany, occurred and the German army entered Vienna. Faced with the actuality of the Nazi terror the Groags, who were Jewish, fled to Czechoslovakia and their home city of Prague. After a brief respite they were once more forced to flee in 1939, this time to London. On their arrival in England they were welcomed and championed by leading members of the British design fraternity, amongst whom were Sir Gordon Russell, the doyen of British architects Sir Charles Reilly and Jack Pritchard, founder of the modernist design company, Isokon. Much of the Contemporary style of the textiles and wallpapers shown at the 1951 Festival of Britain were heavily indebted to Jacqueline's influential designs of the 1940s. Many examples of her work were featured prominently at the Festival and from then on she became a major influence on pattern design internationally. She developed a large client group in the United States during the fifties and sixties, amongst whom were Associated American Artists, Hallmark Cards and American Greetings Ohio.In the later 1950s and throughout the 1960s she became increasingly involved with Sir Misha Black and the Design Research Unit (D.R.U.), working on the interiors for boats and planes and trains, particularly the design of textiles and plastic laminates for BOAC and British Rail. One of her last commissions from Misha Black, in the mid-seventies was a distinctive moquette for London Transport, for seating on both buses and tube trains. Her work and influence did not just extend to the large corporations and exclusive couturiers but was familiar to the general public through stores and companies such as John Lewis, Liberty of London, David Whitehead, Edinburgh Weavers, Sandersons, Warerite and Formica. Her remarkable achievement finally received public recognition in 1984 when, at the age of 81, she was made an R.D.I. - a Royal Designer for Industry - the ultimate accolade for any designer in Britain.

This lavisly illustrated book tells the history of Horrockses Fashions, one the most famous postwar British ready-to-wear labels. In the late 1940s and throughout the 1950s, Horrockses’ created designs with a fresh, distinctive look, and were celebrated for their lively floral prints and full-skirted summer dresses, which were popular with women of every background, including the royal family. In addition, they collaborated with contemporary artists such as Eduardo Paolozzi, Alastair Morton, and Graham Sutherland to design textiles. The book includes interviews with many of the people who made, wore, and designed these dresses and reproduces magazine spreads and illustrations from the period.Horrockses maintained an air of exclusivity for the brand with an emphasis on good quality fabrics, especially the finest cotton, with custom-designed patterns and an emphasis on couture styling.  Their fashions are highly collectable today. Horrockses Fashions tells the story of this iconic label and its role in the history of British fashion while also exploring the connections between couture and ready-to-wear fashions in the post-WWII decades.

Casual clothing, swimwear in particular, is strongly associated with the California lifestyle, and the design and manufacture of casual clothing has long been the foundation of California's garment industry. This book explores that industry as it developed in California from the 1930s through the 1970s, with emphasis on clothing and textile designs suffused with the sunshine spirit. Included are fashions from major swimwear companies such as Catalina, Cole, and Rose Marie Reid; sportswear from leaders like Koret and Alice of California; and a wonderful chapter paying tribute to that most western of fabrics, blue denim. More than 330 photographs and advertisements illustrate the colorful, cheerful, and charming nature of vintage casual clothing. Collectors, designers, and fashion historians will appreciate the profiles of California artisans and their influence on fabric technology. Includes price guide and a helpful glossary of fashion and fabric terminology.

Interviste ai più importanti nomi della moda: Alexander McQueen, Vivienne Westwood, Paul Smith e Hussein Chalayan; così come grandi nomi internazionali provenienti da Giappone, Italia, Francia e Stati Uniti: Rei Kawakubo di Comme des Garcons, Yohji Yamamoto, Issey Miyake, Tom Ford, Valentino, Yves Saint Laurent, Dolce & Gabbana, Donatella Versace, Sonia Rykiel e altri. Le interviste forniscono uno spaccato della vita dei designer, dettagli biografici completi e analisi del modo in cui pensano e lavorano, oltre a registrare il clima culturale in quel momento. Il libro è illustrato con ritratti e scatti di alcuni dei migliori fotografi di moda di oggi - sia più affermati che emergenti - tra cui Robert Wyatt, Juergen Teller, Donald Christie, Julie Sleaford, Mark Aleski, Justin Smith e Jane McLeish.

This beautiful reference work showcases 50 iconic outfits from one of fashion's most influential and exciting decades. Featured designers and style icons will include Jimmy Choo, Prada, Sarah Jessica Parker, Marc Jacobs, Princess Diana (post divorce), Kate Moss, Corinne Day, Grunge, Naomi Campbell, Linda Evangelista, Cool Britannia, Topshop, Julian Macdonald, Modern Preppy, Herve Leger, Matthew Williamson, Gianni Versace, Hip-hop and the Rachel haircut. With Paula Reed's lively and informative text and a wealth of fabulous photography, it is vital reading for design students, collectors of vintage, and everyone who truly loves fashion.

Questo catalogo riccamente illustrato accompagnerà una mostra al Brighton Museum and Art Gallery nel 2006. Gli oggetti esposti sono tratti dall'ampio guardaroba di quattro generazioni della famiglia di Lord Snowdon: Messel-Rosse-Linley-Sambourne-Snowdons. Il libro utilizza questi esempi per tracciare l'evoluzione dell'elegante abito inglese dalla fine del XIX secolo agli anni '70 e viene portato ai tempi moderni attraverso oggetti prestati da familiari viventi.